Mary Scholfield and I are donating hundreds of pictures to the AMA Hall of Fame Museum. These are the Ken Scholfield collection. Ken was a professional photographer as well as a skilled speedway racer back in the 1930s. Scholfield did top notch work, mostly with a 4x5 camera. Many of his pictures appeared in "Motorcyclist" magazine from 1939 through 1941. Ken also left a couple of hundred negatives for which there are no positives.
The collection is priceless. Some of the racing stars are: Ed Kretz Sr., Ben Campanale, Jimmy Kelly, Sam Arena, Mario Stillo, and Armando Magri. Races include: Oakland 200, Hollister TT, Costa Mesa TT, Riverside half-mile, Hollister TT, and various hill climbs. Other topics include trick riding teams and movie stars on motorcycles.
Is there anyone in the AMCA who is in the photography profession or who is an experienced photo hobbiest and who might wish to help us make postives from the 200 or so negatives? At present, the commercial quotes we're getting are prohibitive. ($20 per negative for a high res scan!). Unfortunately, the digital age seems to have eliminated affordable 8x10 prints from 4x5 negatives. What I think we need are oldtime optical enlargements, a process which calls for skill and pride in workmanship, two attributes that seem to be casualties of the digital age.
The collection is priceless. Some of the racing stars are: Ed Kretz Sr., Ben Campanale, Jimmy Kelly, Sam Arena, Mario Stillo, and Armando Magri. Races include: Oakland 200, Hollister TT, Costa Mesa TT, Riverside half-mile, Hollister TT, and various hill climbs. Other topics include trick riding teams and movie stars on motorcycles.
Is there anyone in the AMCA who is in the photography profession or who is an experienced photo hobbiest and who might wish to help us make postives from the 200 or so negatives? At present, the commercial quotes we're getting are prohibitive. ($20 per negative for a high res scan!). Unfortunately, the digital age seems to have eliminated affordable 8x10 prints from 4x5 negatives. What I think we need are oldtime optical enlargements, a process which calls for skill and pride in workmanship, two attributes that seem to be casualties of the digital age.
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